FILM COURSEWORK STRUCTURE Huw Walmsley-Evans once wrote online on theconversation.com that ‘Wes Anderson is one of cinema’s great auteurs’ 1 . To what extent is Wes Anderson truly original? My hypothesis will focus on: I. Wes Anderson’s love of art and how...
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FILM COURSEWORK STRUCTURE Huw Walmsley-Evans once wrote online on theconversation.com that ‘Wes Anderson is one of cinema’s great auteurs’ 1 . To what extent is Wes Anderson truly original? My hypothesis will focus on: I. Wes Anderson’s love of art and how it defines him as an auteur. II. Wes Anderson’t use of nostalgia to create meaning. III. How his unique characters drive the narrative. IV. The French New Wave and it’s influence on Wes Anderson and other film-makers 2. One: Brief overview of Wes Anderson - His common conventions, using secondary research. - A brief glimpse of his home life and how this impacted his films 3. - A quick summary of I,II, and III, providing stills of primary research as examples. - A quick summary of how the French New Wave have influenced Wes Anderson. Two: Wes Anderson’s love of art - How does this reflect in his film-making? (colour themes, music, symmetry etc.) - How does he compare to other film-makers who have been influenced by art? (Christopher Nolan, Mik
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