Bill Gollings: Lonesome Cowboy Artist
If William E.
Gollings (1878-1932), known to all as Bill, had been a country and western singer, he
would have been a practitioner of what is known as the high lonesome.
If Bill Gollings had been an
Indian at a Pow...
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Bill Gollings: Lonesome Cowboy Artist
If William E.
Gollings (1878-1932), known to all as Bill, had been a country and western singer, he
would have been a practitioner of what is known as the high lonesome.
If Bill Gollings had been an
Indian at a Pow Wow, his would have been the high voice of the brave that rises from the
drumming and chanting.
Golling is distinct, direct, independent, plaintive, but never defeated, not
as long as he can sing about it.
The best of Bill Gollings’s paintings, those that have nothing of the gun-for-hire illustration or
commission about them, are songs, songs in the rhythms of the seasons, songs in the key of the
lonesome cowboy, songs in the rhythms of Indian camps, songs in the key of the rapidly
evaporating West.
In Cheyenne Winter Camp the weariness of the woman bearing water to the camp is
counterbalanced by the relief of the shaggy ponies who have come to the end of their day.
They
have waited their turn while the woman cut a hole in the ice.
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